Breaking Movie Boundaries: Wall Street Journal

The Hollywood movie “Green Book” has enjoyed a surprising box-office success in China, showing that superhero and action films aren’t the only content that do well with Chinese audiences. Over the past decade, Hollywood has embraced the fast-growing demand of the Chinese market. However, there are still sensitivities over how US films are edited for presentation and approval by China’s censors. On the other hand, as China is opening up to a wider range of Hollywood content, the United States is showing signs of embracing more Asian-themed movies, such as “The Joy Luck Club” and “Crazy Rich Asians.” Driven by technology, content available worldwide on streaming services such as Netflix has also made foreign programming more familiar to US audiences, explains John Penotti, chief executive of SK Global, as reported by Joe Flint for the Wall Street Journal. SK Global finances and produces premium content and Penotti suggests that the next great wave in the film innovation is globalization of audiences. Filmmakers, keen to discover what entices global audiences, still encounter surprises. – YaleGlobal

Breaking Movie Boundaries: Wall Street Journal

Despite lingering sensitivities over cultural adaptation, Hollywood and China move closer as they try to discern audience content preferences
Joe Flint
Wednesday, October 30, 2019

Read the article from the Wall Street Journal about filmmakers’ quest to develp films for global audiences.

Joe Flint is a media and entertainment reporter for the Wall Street Journal based in the Los Angeles bureau. He has covered all facets of the media industry during a career that has spanned more than two decades.

China and US films - annual box office takes, 203 to 2018

(Source: BoxOfficeMojo.com)

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